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The latest version of Cubase Essential 5 is 5.1 on Mac Informer. It is a perfect match for the General category. The app is developed by com.steinberg.cubase and its user rating is 5 out of 5. Cubase 11: Using DPI-unaware plug-ins on Windows Cubase 11: Instruments resp. Tracks in project templates cannot be played back Mac OS X: Steinberg Download Assistant stopped.
Mac OS X 10.5 Leopard (Intel Mac),Mac OS X 10.6 Snow Leopard,Mac OS X 10.7 Lion,Mac OS X 10.8 Mountain Lion
Prologue is a polyphonic subtractive synthesizer with great sounding multi-mode variable resonance filters, powerful modulation capabilities and cranking onboard effects. Powered by VirSyn technology, this punchy virtual analog synthesizer is fed by hundreds of great sounding presets covering a wide range of sounds reaching from traditional analog to indescribable. Prologue’s intuitive user interface provides full editing capabilities with access to its three oscillators, powerful multi-mode filter, four envelopes, two LFOs, a powerful modulation matrix, and on-board effects.
OS
Mac OS X 10.5/ Mac OS X 10.6/ Mac OS X 10.7/ OS X 10.8
Computer
Intel processor (non-compliant with Power PC)
DAW Application
Cubase 5 series/ Cubase 6 series
Others
These system requirements conform to those of the OS and DAW applications.
- You need to activate the software using Activation Code (yellow paper) included in Carton box of the MOX6/MOX8.
- System Requirements are basically the same as those of the Cubase series(version 5.1.1 or later Cubase 5/Cubase Studio 5, and Cubase Essential 5/Cubase AI 5) as a host application.)
- To activate your software license, install the application while the computer is connected to the Internet.
- For Cubase AI6 users
You do not need to download and install Prologue. The Prologue Synthesizer is already included in Cubase AI6. Just activate your code to eLCC software.
- For Cubase AI5 users
You need to download and install and activate Prologue Synthesizer.
*Please note that MOTIF XF, an instrument itself does not originally have the activation code.
How to Activate
The license of the Prologue is managed with the eLicenser Control Center (eLCC) software. Before you can launch the Prologue, you have to use the Activation Code to activate your Soft-eLicenser online. Refer here.
ATTENTION
PLEASE READ THIS SOFTWARE LICENSE AGREEMENT ('AGREEMENT') CAREFULLY BEFORE USING THIS SOFTWARE. YOU ARE ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE TERMS AND CONDITIONS OF THIS AGREEMENT. THIS AGREEMENT IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND YAMAHA CORPORATION ('YAMAHA').
BY DOWNLOADING OR INSTALLING THIS SOFTWARE OR OTHERWISE RENDERING IT AVAILABLE FOR YOUR USE, YOU ARE AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE. IF YOU DO NOT AGREE WITH THE TERMS, DO NOT DOWNLOAD, INSTALL, COPY, OR OTHERWISE USE THIS SOFTWARE. IF YOU HAVE DOWNLOADED OR INSTALLED THE SOFTWARE AND DO NOT AGREE TO THE TERMS, PROMPTLY DELETE THE SOFTWARE.
GRANT OF LICENSE AND COPYRIGHT
Yamaha hereby grants you the right to use the programs and data files composing the software accompanying this Agreement, and any programs and files for upgrading such software that may be distributed to you in the future with terms and conditions attached (collectively, “SOFTWARE”), only on a computer, musical instrument or equipment item that you yourself own or manage. While ownership of the storage media in which the SOFTWARE is stored rests with you, the SOFTWARE itself is owned by Yamaha and/or Yamaha’s licensor(s), and is protected by relevant copyright laws and all applicable treaty provisions.
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RESTRICTIONS
- You may not engage in reverse engineering, disassembly, decompilation or otherwise deriving a source code form of the SOFTWARE by any method whatsoever.
- You may not reproduce, modify, change, rent, lease, or distribute the SOFTWARE in whole or in part, or create derivative works of the SOFTWARE.
- You may not electronically transmit the SOFTWARE from one computer to another or share the SOFTWARE in a network with other computers.
- You may not use the SOFTWARE to distribute illegal data or data that violates public policy.
- You may not initiate services based on the use of the SOFTWARE without permission by Yamaha Corporation.
Copyrighted data, including but not limited to MIDI data for songs, obtained by means of the SOFTWARE, are subject to the following restrictions which you must observe.
- Data received by means of the SOFTWARE may not be used for any commercial purposes without permission of the copyright owner.
- Data received by means of the SOFTWARE may not be duplicated, transferred, or distributed, or played back or performed for listeners in public without permission of the copyright owner.
- The encryption of data received by means of the SOFTWARE may not be removed nor may the electronic watermark be modified without permission of the copyright owner.
TERMINATION
If any copyright law or provisions of this Agreement is violated, the Agreement shall terminate automatically and immediately without notice from Yamaha. Upon such termination, you must immediately destroy the licensed SOFTWARE, any accompanying written documents and all copies thereof.
DOWNLOADED SOFTWARE
If you believe that the downloading process was faulty, you may contact Yamaha, and Yamaha shall permit you to re-download the SOFTWARE, provided that you first destroy any copies or partial copies of the SOFTWARE that you obtained through your previous download attempt. This permission to re-download shall not limit in any manner the disclaimer of warranty set forth in Section 5 below.
DISCLAIMER OF WARRANTY ON SOFTWARE
You expressly acknowledge and agree that use of the SOFTWARE is at your sole risk. The SOFTWARE and related documentation are provided 'AS IS' and without warranty of any kind. NOTWITHSTANDING ANY OTHER PROVISION OF THIS AGREEMENT, YAMAHA EXPRESSLY DISCLAIMS ALL WARRANTIES AS TO THE SOFTWARE, EXPRESS, AND IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT OF THIRD PARTY RIGHTS. SPECIFICALLY, BUT WITHOUT LIMITING THE FOREGOING, YAMAHA DOES NOT WARRANT THAT THE SOFTWARE WILL MEET YOUR REQUIREMENTS, THAT THE OPERATION OF THE SOFTWARE WILL BE UNINTERRUPTED OR ERROR-FREE, OR THAT DEFECTS IN THE SOFTWARE WILL BE CORRECTED.
LIMITATION OF LIABILITY
YAMAHA’S ENTIRE OBLIGATION HEREUNDER SHALL BE TO PERMIT USE OF THE SOFTWARE UNDER THE TERMS HEREOF. IN NO EVENT SHALL YAMAHA BE LIABLE TO YOU OR ANY OTHER PERSON FOR ANY DAMAGES, INCLUDING, WITHOUT LIMITATION, ANY DIRECT, INDIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGES, EXPENSES, LOST PROFITS, LOST DATA OR OTHER DAMAGES ARISING OUT OF THE USE, MISUSE OR INABILITY TO USE THE SOFTWARE, EVEN IF YAMAHA OR AN AUTHORIZED DEALER HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. In no event shall Yamaha's total liability to you for all damages, losses and causes of action (whether in contract, tort or otherwise) exceed the amount paid for the SOFTWARE.
THIRD PARTY SOFTWARE
Third party software and data ('THIRD PARTY SOFTWARE') may be attached to the SOFTWARE. If, in the written materials or the electronic data accompanying the Software, Yamaha identifies any software and data as THIRD PARTY SOFTWARE, you acknowledge and agree that you must abide by the provisions of any Agreement provided with the THIRD PARTY SOFTWARE and that the party providing the THIRD PARTY SOFTWARE is responsible for any warranty or liability related to or arising from the THIRD PARTY SOFTWARE. Yamaha is not responsible in any way for the THIRD PARTY SOFTWARE or your use thereof.
- Yamaha provides no express warranties as to the THIRD PARTY SOFTWARE. IN ADDITION, YAMAHA EXPRESSLY DISCLAIMS ALL IMPLIED WARRANTIES, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, as to the THIRD PARTY SOFTWARE.
- Yamaha shall not provide you with any service or maintenance as to the THIRD PARTY SOFTWARE.
- Yamaha is not liable to you or any other person for any damages, including, without limitation, any direct, indirect, incidental or consequential damages, expenses, lost profits, lost data or other damages arising out of the use, misuse or inability to use the THIRD PARTY SOFTWARE.
U.S. GOVERNMENT RESTRICTED RIGHTS NOTICE:
The Software is a 'commercial item,' as that term is defined at 48 C.F.R. 2.101 (Oct 1995), consisting of 'commercial computer software' and 'commercial computer software documentation,' as such terms are used in 48 C.F.R. 12.212 (Sept 1995). Consistent with 48 C.F.R. 12.212 and 48 C.F.R. 227.7202-1 through 227.72024 (June 1995), all U.S. Government End Users shall acquire the Software with only those rights set forth herein
GENERAL
This Agreement shall be interpreted according to and governed by Japanese law without reference to principles of conflict of laws. Any dispute or procedure shall be heard before the Tokyo District Court in Japan. If for any reason a court of competent jurisdiction finds any portion of this Agreement to be unenforceable, the remainder of this Agreement shall continue in full force and effect.
COMPLETE AGREEMENT
This Agreement constitutes the entire agreement between the parties with respect to use of the SOFTWARE and any accompanying written materials and supersedes all prior or contemporaneous understandings or agreements, written or oral, regarding the subject matter of this Agreement. No amendment or revision of this Agreement will be binding unless in writing and signed by a fully authorized representative of Yamaha.
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Steinberg Nuendo History
Cubase has existed in three main incarnations. Initially Cubase, which featured only MIDI, and which was available on the Atari ST, Macintosh and Windows.
After a brief period with audio integration, the next version, Cubase VST, featured fully integrated audio recording and mixing along with effects. It added Virtual Studio Technology (VST) support, a standard for audio plug-ins, which led to a plethora of third-party effects, both freeware and commercial.
Cubase VST was only for Macintosh and Windows; Atari support had been effectively dropped by this time, despite such hardware still being a mainstay in many studios. Cubase VST was offering a tremendous amount of power to the home user, but computer hardware took some time to catch up. By the time it did, VST’s audio editing ability was found to be lacking, when compared with competitors such as Pro Tools DAE and Digital Performer MAS.
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To address this, a new version of the program, Cubase SX (based on Steinberg’s flagship post-production software Nuendo) was introduced, which dramatically altered the way the program ran. This version required much relearning for users of older Cubase versions. However, once the new methods of working were learned, the improvements in handling of audio and automation made for a more professional sequencer and audio editor.
A notable improvement with the introduction of Cubase SX was the advanced audio editing, especially the ability to ‘undo’ audio edits. Early versions of Cubase VST did not have this ability. Cubase SX also featured real-time time-stretching and adjustment of audio tempo, much like Sonic Foundry’s ground-breaking ACID.
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In January 2003, Steinberg was acquired by Pinnacle Systems, within which it operated as an independent company before being sold to Yamaha Corporation in December, 2004.
In September 2006 Steinberg announced Cubase 4 – the successor to Cubase SX3. Notable new features include ‘control room’, a feature designed to help create monitor mixes, and a new set of VST3 plug-ins and instruments.
There are also lighter economic alternatives by Steinberg, originally named Cubasis, later becoming Cubase SE and then Cubase Essential at version 4. For its sixth generation, the program was renamed Cubase Elements 6. The name change was done presumably, because its rival Cakewalk had taken the Essential branding for its own entry-level DAW software, Sonar X1 Essential.
While the full version of Cubase features unlimited audio and MIDI tracks, lesser versions have limits. For instance, Cubase Elements 6 has a maximum of 48 audio track and 64 MIDI tracks and Cubase Artist 6 offer 64 audio and 128 MIDI tracks.
In 2013, Steinberg introduced Cubasis for iPad, a Cubase for iOS. This version was a full rewrite and supports MIDI and audio tracks, audiobus and virtual MIDI to work with external music apps from the first versions. Updates in 2014 brought automation and Inter-App Audio (Apple’s technology to connect audio apps).
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File Details: | |
---|---|
File Name | Steinberg Cubase 5.1 Free Share By Musical Sanjeet YouTube Channel.zip |
File Size | 167.03 MB |
Publisher | Steinberg Media Technologies |
Release Date | 24th, August, 2009 |
Operating Systems | Windows 7/Windows 8.x/Windows 10 x86/x64 etc. |